Written for Total Theatre
As part of the World Cities 2012 series Tanztheater Wuppertal’s response to Chile is infused with a lightness of spirit. Even the name, ‘…como el musguito en la piedra, ay si, si, si…’, seems to mischievously wink at you. Take a look at a picture of ‘el muguito’ and you’ll see what I mean. Whilst the English translation ‘like moss on a stone’ may bring up rather soporific images of a carpet of green, this Chilean moss shoots off from the rock with the audacity of a punk’s Mohican; an optimistic flurry of life perched on the contours of a wasteland.
It’s a fitting image. The final World Cities piece that Pina Bausch completed before her death, this 2 hour 40 minute piece is a gloriously alive monument to the choreographer.
In this unbridled celebration of movement Bausch provides us with a vivid carousel of physical mini narratives. Whilst in keeping with her usual style of mixing dance, speech and autobiographical storytelling, what gives this piece its exuberance is the sheer level of dancing Bausch unleashes onto the stage.