Q&A: Michael Twaits Confesses

Michael Twaits is a performer who, since graduating from Mountview with an MA in Acting, has created a body of performance art/multi-media work which includes Confessions of a Dancewhore, Icons and The One You Love. He has performed at The Royal Festival Hall, National Film Theatre, Queen Elizabeth Hall and The Lowry as well as vibrant fringe venues The Oval House and Royal Vauxhall Tavern.

A regular on the cabaret circuit Twaits is the flamboyant creator of the legendary Lady M, a foul mouthed but fabulous drag queen who has created quite a following for this witty performer. But as we talk about his piece for Pride 2010 – a reprise of Confessions – it seems that he is determined to leave such defined identities at the side of the stage and take a more exploratory view on people’s personalities. Honour Bayes chats to him about identity, campery, vodka and how, for all one’s glitz and glitter, it’s vital that you have something to say.

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Michael Twaits

Written for Whats On Stage  20 November 2009

There is something terribly beautiful about the rawness of Michael Twaits’ work and something rather spiritual about it too. He’s not afraid to reveal all to his audience, offering himself up completely on an alter to the gods. It is therefore fitting that in his new show Twaits takes us through an exploration of our new holy of holies; celebrities.

Icons is a caustic multi-media cabaret that is as far away from the calm religious portraits of the past as Jesus is from Jade Goody. But maybe these two figures are closer than we like to think; as Twaits rather eerily puts it, “If Heat is the celebrity Bible, Jade Goody is its parable”.

It’s this mixture of wit and scary insight that makes Icons more than just a pithy piece of celebrity fun. Twaits is out to find the meaning of our modern icons and he does so using both sparkly schadenfreude and a disturbing amount of common sense. We are introduced to Lucky, a Britney Spears fan who is trying to transcend herself and literally become Britney (if she could eat her body and drink her blood you genuinely feel she would), a hesitant yet defiant Garry Glitter obsessive and of course the fabulous Lady M, Twaits’ infamous drag alter ego.

Whirling through a blend of video footage, Q&A sessions, monologues and songs, we’re plunged into their obsessions, seeing them in all their desperate neediness and vulnerability. At points it’s a bit of a messy journey, with not all the sequences totally working, but holistically Icons packs a punch. For although Twaits’ vicious wit is out in force, so is his empathy, and through our laughter we feel for these star worshippers. Because in the midst of all this glitter and gold it’s the sad realisation that our icons have fallen from their celestial posts that hits you the hardest. In the face of their fall where does this leave us mere mortals?

Twaits’ greatest skill is the ability to marry the frivolous with the serious and in the midst of all this fluff to make you think. The defining number of the night comes as Lady M heart-stoppingly sings “Stonewall”, Twaits’ joyously defiant song. In this moment, as Judy Garland inspires a group of individuals to change the course of their lives, you are transcended from the mundane to the sublime and surely whether religious or famous, that’s the purpose of a modern icon.