Written for What’s On Stage
Shortly after graduating Kent University, Jon Cooper won a place on The Old Vic’s New Voices company 2006. Subsequently he was chosen to be part of the Old Vic’s US/UK exchange program. His first full-length play For Once I Was was developed at The Old Vic and then went on to have a run at theTristan Bates Theatre. A Lady of Substance was developed at the Manchester 24/7 Festival with director Matthew Dunsterand is currently receiving its London premiere at the Tristan Bates Theatre.
Talk us through the story of A Lady of Substance
It’s about an older poet, early 40s, who has had a relatively tragic experience happen in her life and is stuck in a cycle of self-destruction. She’s left her flat and then comes back one day to find that this 16 year-old girl has broken in and has been squatting. The two of them together have loves, the young girl of hip-hop and the older woman of poetry. Over the course of a 24-hour period the two of them spend time together talking and sharing and learning and writing, while also dealing with the loses that have happened in their lives and also going on a gigantic bender!
So there are some embarrassing hip-hop and performance poetry moments in it?
Well there are a number because I wrote them all! As a young middle class white man I’ve done a sterling job! No I believe that hip-hop is a continuation of poetry in many respects. Hip-hop is the selection of words and the refinement of the English language with a beat placed underneath it to help accessibility. You can learn as much from early hip-hop about the way a particular society was dealt with by the police and what it wasto live in those social conditions as you can from Keats about love. I thought that that was an important thing to be exploring. Also it’s a nice generational thing to have an older and a younger person who are trying to describe to each other why it is that they love what they love and actually finding that they have some common ground.