Written for Exeunt
Alecky Blythe, whose previous work includes The Girlfriend Experience and most recently the acclaimed musical London Road, is known for giving voices to those whose words are not usually given space in a public arena; even knowing this about her and her work, it is exciting to see a piece about the aftermath of the 2008 Georgian/Russian war touring England. In 2009 Blythe went to Georgia where she spoke to refugees from the Gori and Tserovani, temporary camps which have long been turning into semi-permanent settlements as the conflict remains unresolved. True to form her interviews were then edited into a 50 minute piece of theatre, with each cough and repetition presented exactly as it was recorded via headphones worn by the performers.
But for all that it promises this is a strangely unfulfilling event, a taster of what could have been. With a running time of just under an hour, the piece allows no room for these voices to grow and the result feels prosaic. Perhaps this is as it should be, the day to day trials of this resolute nation not being the stuff of romantic poetry. Yet the only moment in the production where one feels really connected is when the cast remove their headphones to sing a national folk song; it’s a defiant and universal moment that highlights their iron resolve more powerfully than the edited accounts of their survival ever do.