Written for The Stage
Howard Barker is looking startled. “I’m amazed, why would you leave?” I have just told him about the reports of early walk-outs in response to his claim that his play Scenes from an Execution is an easy ride. He looks genuinely baffled, and says: “It’s a pretty easy play to get on board with, it doesn’t give you a headache”.
Many people would disagree with him but then that is the story of Barker’s life. A tragedian in a world where comedy reigns, he is a lone figure. Still he casts a daunting shadow across the theatrical landscape with early productions at the RSC and Royal Court, plays such as Scenes from an Execution and Victory – which received a swaggering Arcola production starring Matthew Kelly in 2009 – and the formation of his own company The Wrestling School, created to carry out his vision of the ‘theatre of catastrophe’. “I believe in poetic discourse, in the value of speech in a non-naturalistic way, it’s speculative… I’m not interested in observed reality.”
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