Final WOS Blogs

Verbatim rights & wrongs

Monkey Bars publicity image

This week I’m back at a subject that continues to niggle me – ideas of morality in verbatim theatre. When we use people’s voices onstage in edited pieces of drama, how fine is the line between representation and exploitation?…read more

Theatre buildings & communities

Bristol Old Vic

The oldest working theatre in the country, Bristol Old Vic, turned its lights back on last week after 18 months of refurbishment. This week warm reviews of its opening production, John O’Keeffe’s Wild Oats, show it is in as rude a health as it was when it housed rowdy 18th century audiences…read more

Lyric keeps it local

A scene from Morning at the Lyric Hammersmith

A blend of robust poetry and agile circus, I was recently wowed by Ockham’s Razor’s Not Until We Are Lost at Artsdepot. But it wasn’t only the stunning aerialism that captured me – just as impressive was the skill displayed by a choir of local singers who had been brought together for these performances…read more

Horror on stage? A chilling thought

Original poster for Let The Right One In

When I read that the National Theatre of Scotland was to do a staged version of Swedish horror film Let The Right One In I got chills down my spine for all the wrong reasons. Horror is notoriously difficult to do on stage and even with the formidable partnership of John Tiffany and Jack Thorne at the helm it seemed a doomed prospect – after all the NTS turned The Wicker Man into a musical earlier this year….read more

And in the end…

Poster image for A Life at The Finborough

So it’s pretty presumptuous to title my final Whatsonstage.com blog with a Beatles lyric used to signify the end of their journey, but I’m going to do it anyway because endings are what form the basis of this blog…read more

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